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    機械音樂(lè )博物館,帕爾梅拉 / Miguel Marcelino

    發(fā)布時(shí)間:2019-01-19
    這座博物館由一個(gè)完全封閉的、不透明的抽象盒子構成,僅有主立面上的一個(gè)凹洞標明了入口所在。建筑內部容納著(zhù)有關(guān)機械音樂(lè )的私人收藏。
    相關(guān)案例

    位置:

    葡萄牙

    類(lèi)型:

    建筑

    標簽:

    Palmela 帕爾梅拉

    分類(lèi):

    博物館 文化建筑


    這座博物館由一個(gè)完全封閉的、不透明的抽象盒子構成,僅有主立面上的一個(gè)凹洞標明了入口所在。建筑內部容納著(zhù)有關(guān)機械音樂(lè )的私人收藏。


    The museum consists of a completely closed, opaque and abstract box. Just the main facade has a concavity that marks the entrance of the building. It houses a private collection of mechanical music boxes. 


    ▼抽象的外觀(guān),an abstract box

     



    博物館的布局呈十字形,圍繞一個(gè)中央天井向四面展開(kāi)。門(mén)廳位于其中一面,作為垂直的分流空間;其余三面則是大小不同的展廳。這些空間之間的過(guò)渡通過(guò)四個(gè)前廳得以實(shí)現。


    The organization is cruciform, around a central patio, that distributes to the building’s four sides. In one side there is the lobby, that works as a vertical distribution space, and to the other sides are three galleries of varying sizes. The transition between each of these four spaces is done through four antechambers. 


    ▼室內空間圍繞天井向四面展開(kāi),the organization is around a central patio, distributing to four sides


     012-Museum-of-Mechanical-Music-by-Miguel-Marcelino-960x378.jpg


    ▼垂直分流空間,the vertical distribution space





    ▼展廳,the galleries





    建筑的外觀(guān)看上去是一個(gè)極為簡(jiǎn)約的盒子,但其內部空間又將這種樸素打破:長(cháng)長(cháng)的對角線(xiàn)透視以空間的形式打開(kāi)并相互交叉,使參觀(guān)者在一個(gè)充滿(mǎn)誘惑的空間游戲中不斷窺得展廳的一角,從而在整個(gè)參觀(guān)過(guò)程中使好奇心得到充分的滿(mǎn)足。


    The result is a box that seen outside looks very elementary, but whose interior dismantle this simplicity: exploring long diagonal perspectives that open as spaces are crossed – letting us see glimpses of galleries in a game of spatial seduction that seeks to maintain the curiosity of the visitor from the beginning to the end of the visit.

    關(guān)鍵詞:
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